His works tend to include elliptical editing, documentary-style lighting, hand-held camera work, natural settings, and real filming locations over studio work, not to also mention, of course, use of traditional stunts and miniatures over C.G.I., which is mainly sparsely used (unless you count Inception and Interstellar), and that's a major factor in his preference to shoot with actual film instead of digital cameras and advocate for the use of higher-quality, large-format film stock. He also embeds narratives and cross-cutting between different time frames, and features experimental soundscapes and mathematically inspired imagery and concepts. All of this, combined with his exploration of such existential and epistemological themes and motifs as subjective experience, materialism, distortion of memory, Human morality, the nature of time, causality, and the construction of personal identity with emotionally disturbed, obsessive, and morally ambiguous characters facing the fears and anxieties of loneliness, guilt, jealousy, and greed, make his seemingly amateur filmmaking style almost instantly recognizable. Given how much darker and more gritty and adult-oriented the S.S.U. is compared to other Marvel films and shows, and how dark Nolan's works can be, the idea just popped into my head, and I just thought I'd share it with all of you.